First listen Vincent Audio SV 237

Though only broken in for two days, and at low volume, for me the SV 237 already fulfills the promise of its hybrid design – tube sound and solid state power. Even though my bel canto design ref 500m mono amps are models of clarity and transparency I have felt a longing for a taste of what tubes give. Call it what you will – “soul”, euphonic coloration, harmonic bliss, or whatever, I like to hear a little bit of what tubes do to the sound without having to replace expensive power amp tubes at intervals. Vincent’s tube preamp and solid state power amp make the right hybrid combination. This is not to say that the SV 237 has all the virtues of tubes and the best solid state, like bel canto design amps. I am told that that can be had, but unfortunately at vastly higher price points, like from Pass Labs, Herron Audio, et al.
From the SC 237 voices have that touch more body that I have been craving – highs are still delicate and clear enough to “hear the room” – bass is as always with Vincent amps full, strong, and well defined.
Some nice features:
  • 10 watts Class A power; 150 watts Class AB
  • Two sets of speaker binding posts
  • Preamp out RCA jacks
  • USB input for computer audio
  • Bass, treble and loudness controls (defeatable)
  • Silver or black faceplate
To listen, just call me. I’m eager to get your opinion.
 
To price one just call me. The retail price is $2600, but since it can be had online with free shipping and no sales tax for $2399 I will absorb the sales tax to encourage you to buy local. (NOTE to subscribers outside the St. Louis area – I do not ship except across the river to that part of nearby Illinois within the metro area, in accordance to my dealer agreement. Naturally I can sell to anyone at my location.)
Posted in bel canto design, Hybrid amplifier, Hybrid integrated amplifier, Integrated amplifier, Vacuum tubes, Vincent Audio | Tagged , , , | Leave a comment

The Vincent Audio SV237 integrated amplifier is coming in July

I have received word from the US importer that the new Vincent Audio SV237 is due in the USA around the end of June/beginning of July. The retail price will be $2399.95. As the SV237 will also be available on the Internet I will make a price adjustment to assure that my St. Louis customers have price parity with the internet.

 

Here are the main features:

  • A tube preamplifier section and solid stare power amplifier section give the best of tube and solid state.
  • Tube life of 20,000 hours means that few owners will ever have to replace tubes.
  • 150 watts per channel into 8 ohms; 250 watts into 4 ohms.with the same solid bass and huge power reserves that I have found in all Vincent Audio amplifiers.
  • The first 10 watts are Class A
  • 5 RCA inputs and a USB input that is described as “CD quality”. When I asked for a better description all I was told is that it is a 16 bit DAC, so I assume it is the sort of DAC found in a mainstream CD player, not a high-end DAC.
  • Record out and pre-out RCA jacks.
  • 2 sets of speaker binding posts, to allow bi-amping
  • Weight of 45 pounds shows the beefy transformer and general construction.

The SV237 has been in Europe a while. Another German language review has been published by i-fidelity.net. There are several good photographs, an interview with the designer, who has designed reference electronics for both Thorens and Vincent Audio, and a final rating of Uberragend (Outstanding). To read the review use Google and let it translate to English.

Link: i-fidelity.net (Translation) | Original

Posted in 12AX7, 6N1P, DAC, Hybrid amplifier, Integrated amplifier, Uncategorized, Vacuum tubes, Vincent Audio | Tagged , , | Leave a comment

Latest news on GoldenEar Technology Triton 7

I received an email from Sandy Gross about the Triton 7. Here are the first three paragraphs:

Dear Wylie,

We are gearing up to begin the first production runs on the Triton Seven, our new $699/ea passive tower. I have to say that its debut at the CES has generated more excitement than I have seen since we debuted the Triton Two.

“Four of The Absolute Sound writers (including the Editor, Robert Harley), gave it their prestigious “Best Sound for the Lowest Price” Award, and a fifth went even further and gave it their even more prestigious, “Most Significant New Product Introduction of CES” (at ANY price!) Award. Sound & Vision was so excited that Mike Mettler, the editor, is going to review it himself, and this is a never-before first!Sound & Vision’s review will be appearing in their September issue, which hits August 10th. We expect to be shipping the last week of July.”

Sandy is clearly pleased by the extreme enthusiasm by the review press. See the link below for an incredible collection of praise.

It is entirely possible that the first shipment will sell out quickly. I have five pair on order and two pair are already spoken for. If anyone else is certain they want a pair, let me know and I will increase my order.

Here is a link to comments from the reviewers:
The Experts Rave About GoldenEar’s NEW TRITON Seven

Here is a link to the preliminary info sheet with photo, specs and description: Extraordinary New Loudspeakers from GoldenEar Technology

Posted in Speakers, Tower speakers | Tagged , , , | Leave a comment

The 100 square inch stereo

My wife wanted a nice stereo in the kitchen. She wanted FM radio, a CD player and access to the network for iTunes, Internet radio and Pandora. She also wanted to preserve all her cabinet space. I really wanted to get it for her. A dozen schemes came and went, all scuttled by lack of space and my wife’s dislike of wall and ceiling mounted speakers. I found only one little bit of free space – a 5″ x 25″ slot over the microwave. That was my 100 square inches. My solution was a Marantz network receiver and Gallo Acoustics speakers.

The receiver is the Marantz M-CR603 micro receiver, with AM/FM, CD player, network capable, 40 watt per channel digital amp section for cool running. ($699 retail) There have been many less-than-full-size components introduced over the years and most have failed in the USA “bigger is better” marketplace but with the digital revolution smaller components are becoming accepted. Certainly my Bel Canto Design DACs and amplifiers are small in size but giant in performance. To see where the Marantz ranked I looked for reviews and found that British magazine What-HI*Fi had rated it 5 Stars. Here is is some of their review:

Best micro system £400+, Awards 2011. Great to use, listen to and live with, this Marantz micro is a high-tech marvel

For

  • Lovely looks and great usability
  • will play music from almost anywhere
  • cracking detail and rhythmic precision

Against

  • A slight faff to add AirPlay
  • no wi-fi 

For speakers I chose the new Gallo Acoustics A’Diva SE ($329 each), just arrived at Gallo this month. The A’Diva SE has a much larger magnet than the previous A’Diva, and a flat honeycomb cone. As much as I admired the previous A’Diva Ti, I found the SE to be a clear improvement.

P1000665

Let me take a moment to speak well of the Gallo spherical speakers – all of them. As a single driver in an acoustically perfect cabinet they have always been an incredibly good audiophile speaker for music and home theater. But they don’t get the credit they deserve because of three problems:

  1. They look too small for people to believe they are good.
  2. People think they cost too much. (If the label said Bose they would sell like hotcakes, but that’s the power of the name brand, isn’t it?)
  3. They usually need a subwoofer to handle sound below 100 Hz. I couldn’t find a sub that would fit my kitchen space so I just used the bass boost circuit in the receiver and the sound is pretty good in the upper bass and very good from 100 Hz up. My wife is very happy, and I am a hero for giving her the stereo she wants.

Yes, I am a Marantz dealer, and a Gallo Acoustics dealer.

Wylie Williams

 

Posted in Bookshelf Speakers, CD Receiver, Gallo speakers, Marantz CD network receiver, Network receiver | Tagged , , | Leave a comment

DSP Anti-Mode 2.0 Dual Core – Part 1.1

This is a quick followup and a little additional information.

While on the subject I’ll tell a little about DSPeaker. The maker is VLSI Solution in Finland, a manufacturer of advanced integrated circuits. What’s cool is that they make both the chip and the finished product. This allows them much more responsive to changes suggested by the USA distributor, Tim Ryan, who has a terrific background in electronic circuit design and professional sound. He works closely with VLSI and is responsible for many improvements and additions to functions.

The Dual Core has been in short supply – I have only my first sample, with the expectation/hope of more next week.

Yesterday I was eager to make my first report on the Dual Core so I just analyzed them where they stood. Today I took the trouble to put my Triton Three at the location suggested by a computer program owned by my GoldenEar Technology sales rep. As you can see in the photos the dip at 70 Hz is still there but is narrower, therefore much improved.

Here is yesterday’s result:

P1000658

And here is today’s: 

P1000660
So far as I know there is little hope of eliminating this dip unless I change the dimensions of the room, but I will try a few more speaker locations just for the experience.

Happy listening,

Wylie

Posted in Uncategorized | Leave a comment

DSPeaker Anti-mode 2.0 Dual Core – Part 1

(Which hereinafter will be called the Dual Core.)

This is Day One of my experience with the Dual Core, wherein I discover its bass room correction, ignoring its other features. As a new dealer for the Dual Mode this is my first sample and I am pretty excited to get the bass response of my GoldenEar speakers made right!

To calibrate the Dual Core I connected it between the preamp and the amp. My first discovery was that the owner’s manual is easy to understand, which is so nice for a guy like me who is techno challenged. I put the microphone at the listening position and started the analysis sweep tone. After one pass it showed the speakers’ in-room frequency response from 20 Hz to 150 Hz in red. Then it repeated the sweep a few times. I think it was calculating and testing different corrections. After it made its final calculations and corrections the tiny screen showed my original response and the corrected response in black.

P1000655

 

 

 

 

 

 

 

 

 

As you can see it has done a world of good by flattening most of the peaks in the bass response and partly corrected one dip, but left the huge dip around 70HZ which, as a standing wave cancellation, is almost impossible to correct.

P1000658

At this point my next move is to move the speakers to different positions to see if that dip can be reduced. But in the meantime I am happy to know that my bass is the most accurate it has ever been, and that I can quickly and easily play around and check the results of different locations.

Eventually I will get to the other capabilities of the Dual Core and report to you.

 

Wylie

Posted in Equalizer, Room acoustics, Subwoofer Equalizers, Uncategorized | Tagged | Leave a comment

Music Hall Audio

Roy Hall is the driving force of Music Hall Audio, and he is a rare individual – blunt, honest to a fault, a discerning listener, and a canny businessman. They say voters choose a candidate with whom they would feel comfortable having a beer. Substitute Scotch and you have Roy Hall. Whether you have an interest in his turntable MMF 9.1 I think you should read the interview he did with StreroMojo.com. His personality shines through.

Link: Stereo Mojo.com Music Hall MMF 9.1 Turntable Review

Roy Hall the flatterer

As imitation is the sincerest form of flattery Roy Hall is an admitted flatterer of many turntable designers. In the interview he admits to copying the best features of many turntables. He mentioned the rubber cones he places between layers of MDF as the suspension copied from the Revolver table. I think he was copying a copier. As a previous owner of an original Austin Mini automobile I recall that it used a rubber cone as its suspension. It rode not on springs, torsion bars or other damping – it was rubber cones. The advantage is that for slight deflections the cones acts like a soft cushion, but as more force is applied the cone becomes progressively harder. Works on turntables, too. That’s the suspension on all Music Hall tables.

The Music Hall Mooo Mat

But Roy Hall can be original. I know of no other turntable may made with cowhide. Actually cowhide bonded to cork. If you look at the photo. Yes, that is the color of the cow, hide, hair and all. As each cowhide has different patterns each mat looks different. With reduced vibration it promises a warmer sound and lower noise. The retail price of the Mooo Mat is $75.

 

The Music Hall lineup

 MMf 9.1 turntable

  •  Marimba. Our favorite small reasonably price monitor speaker. The Marimba is a small black monitor that sounds great and is only $350.00 for the pair.
  • C DAC-15.3 Replacement CD player for the 15.2. Now w/ better sonics & 3 input DAC for only $50.00 more $549
  • A-70 125wpc integrated amp w/ HT bypass & MM phono stage $1499
  • DAC-15.2 24bit/192k D/A converter with hi-rez 24/96 USB input $299
  • A-15.3 50wpc integrated amp with nice phono stage. Far superior to the discontinued A15.2 that got excellent reviews $549
  • DAC-25.3 24/192 upsampling DAC with 24/96 hi-rez USB input $599
  • PH-25.2 Hybrid headphone amp with tube preamplifier $399
  • MMF-2.2 Turntable with Music Hall $100.00 Tracker cartridge $449
  • MMF-2.2LE as above in Ferrari Red hi gloss finish $499
  • MMF-5.1 [$875] – Dual plinth turntable with $350 Music Hall Magic 3 cartridge
  • MMF-5.1SE [$1099] – upgraded version of the MMF-5.1 with $500 Music Hall Mojo cartridge
  • MMF-7.1 w/o cartridge but carbon fiber arm [$1295] – turntable
  • MMF-7.1 with cartridge [$1495] – as above but with $500 Music Hall Mojo moving magnet hi-output MC cartridge (call for special pricing on this excellent turntable)
  • MMF-9.1 with cartridge [$2195] – Triple plinth turntable with carbon fiber arm and $750 MC cartridge
  • MMF-11.1 [$4495] New top-line table with 4-plinth design, Evolution 9CC tonearm with dual motors & 3 flywheels design. Adjustable azimuth and VTA. 21.3 x 13.8 x 7.8″, 39.5 lbs.

Music Hall versus Rega and Pro-Ject

Is Music Hall better? Let me be honest – Rega and Pro-Ject have a big advantage – they get more reviews, and reviews are the lifeblood of the audio business. Of course Music Hall gets reviews, but not nearly so many. Why doesn’t Music hall get as many reviews? My guess is that Roy Hall is maybe better at being

blunt and honest to a fault than he is at schmoozing reviewers. (What, you ask, does personality come into audio reviewing? Of course not; what am I saying?)

I compete with Rega and Pro-Ject by price. Most people are looking to spend at a particular price point, so I get an advantage by making my tables drop down to a lower price. And by good setup. 

Posted in Turntable Mat, Turntables | Tagged , , , , , | Leave a comment

Upgrade power cables

People ask me – “Do audiophile power cables make a difference?”

The good news is YES, they will improve your system. Of course the bad news is something you probably already expect – there is a correlation of the amount they cost with the improvement they make. If you do a Google search for “power cable shootout” you will find several independent studies to that effect.

Of course higher cost is no guarantee of better sound, and there are lower priced cables that are in the good part of the curve for diminishing returns. I sell Analysis Plus power cables, WireWorld power cables, and Tara Labs power cable, all of which have cables running from $90 into the $3000 to $4000 range, and they are worth the money to those who want to buy performance in that range.

But I am also a dealer for Pangea power cables which start at $25 and top out at $400. These guys are an incredible bang for the buck. They are sold online exclusively at AudioAdvisor.com, so you can see the complete selection there. And there are Pangea dealers, like me, so you have a choice of buying from them or me.

Why buy from me? If you live in St. Louis and are wiling to come to my place you don’t pay shipping to buy or to return. Even better, if you want to try different cables, even other brands, you can buy and return Pangea, WireWorld, and Analysis Plus cables, all without paying restocking fees and shipping. If you don’t live here then maybe your local store can help you.

There is quite a selection of Pangea cables. They also do HDMI cables and USB cables. Their $100 cables don’t necessarily beat the other guy’s $300 cables, but often they do. What is certain is that dollar for dollar Pangea cables give you the most improvement for the dollars invested. Here is no way you can lose, and it’s a great way to get started down the road of power cable improvement.

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Just arrived! Record Doctor LP cleaner

The Record Doctor record cleaning machine is back in production, and I have it. If you want to see how well it works bring me an LP for a free cleaning. It’s not as big or as automated as a VPI HW 16.5. It doesn’t even have a motor to turn the LP like a Nitty Gritty. But it does the same job because it has a great vacuum motor and cleaning strips like the more expensive cleaners. And it’s $180 to my local customers.

The vacuum powered Record Doctor is the most highly recommended low-price record cleaning machine in the world. Stereophile magazine calls the Record Doctor, “the least expensive way to effectively clean records.”

Record Doctor V features the same vacuum motor and vacuum cleaning strip as much more expensive machines, but it does not have the expensive motor that turns records for you. So, turn the records by hand, and save a handful of cash!

The Record Doctor V features a precision roller bearing to make records spin easily, and a handy storage tank for the easy removal of spent record cleaning fluids. The Record Doctor V comes complete with a 4 oz fluid applicator bottle, applicator brush, and illustrated cleaning instructions.

To see several photos and other information check out this link:

Link: Record Doctor

Features:
  • Manual operation record cleaning machine
  • High performance vacuum motor
  • Vinyl-protecting felt cleaning strips
  • Hand record turner
  • Roller bearing
  • 6 ft power cord
Posted in Record cleaning machine | Leave a comment

Vincent Audio replaces SV-236MKII Integrated amplifier

It came as real surprise that the highly reviewed SV-236MKII integrated amplifier has been discontinued. I have never carried this one despite the many excellent reviews and its selection a Editor’s Choice by The Absolute Sound. Recently however a customer from downstate brought one to me for repair. After the repairs were finished I gave it an audition and I heard what had impressed the reviewers. As a hybrid, using 12AX7 in the preamp stage and solid state in the power stages it combined the best of tube and solid state. It was only when I called Vincent to order one that I was told of its demise.

Vincent has completely redesigned it as the new SV237. I was told that the new amp will be here in a month or so at an as yet unannounced price. A look at the internet found an announcement from the German parent company with a description of the changes. Some statements are puzzling, like “Noise are once.”, but it seems to be 98% well translated from the German.” The mention of a USB input is interesting. I wonder what it does.

Here’s what I was able to copy:

The most successful Vincent amplifier of all time.

The logical development of an amplifier legend starting from SV-236 to SV-236MK leading to the SV-237, an amplifier that is almost unrivaled in its price range and has improved the few minor weaknesses of the previous models, and has received an up to date USB input.

Under the leadership of Frank Blöhbaum, who is the developer of the Thorens electronics and the Auto-Bias control of the T.A.C. tube amplifiers, the circuit design was completely revised and improved. Thus, in the output stage section a phase reserve of 90° was reached by making various changes. This phase reserve provides a much better transient response to complex loads (loudspeakers). Because the amplifier always works virtually during normal operation in state of the transient oscillation – Music represents transient pulses – the improvements can be heard elementary. Musicality and sound are much better than its predecessor. Even the most difficult loudspeakers can be powered easily. The amplifier always dominates the complex load (loudspeaker) without sounding strained.

Even better!

The preamplifier section was fitted in the second stage with 6N1P tubes. The greater voltage level provides better signal stability. This results in a higher spectral purity of the signal which causes a further improvement in fine detail in the sound. Here, the tube-like musicality is maintained and an analytical coldness never comes in the sound. Another advantage of the improved circuit design is a greatly improved signal to noise ratio. It results in an excellent playback quality also on high efficiency speakers such as the Impulse series of Dynavox: Noise was once. Enjoy explosive live performance as a result of excellent dynamics. Moreover, the volume control has been finely adjusted. Thus, the volume level can be set precisely using remote control.”

Technische Daten:

Frequency response: 20 Hz – 20 kHz ±0.5 dB 20 Hz – 50 kHz ±2 dB
Maximum output power at 8 Ohm: 2 x 150 Watt (RMS)
Maximum output power at 4 Ohm: 2 x 250 Watt (RMS)
Maximum output power Class A at 8 Ohm: 2 x 10 Watt (RMS)
Input sensitivity: 300 mV
Total Harmonic Distortion: < 0.1% (1 kHz, 1 W)
Signal-to-noise ratio: > 90 dB
Input impedance: 47 kOhm
Input: 5 x stereo RCA, 1 x USB
Output: 1 x stereo RCA Rec Out
1 x stereo RCA Pre out
2 x 3.5 mm Jack
(Power Control)
4 x 2 Speaker terminals
Dimensions (WxHxD): 430 x 150 x 435 mm
Weight: 20.4 kg
Colour: black/silver
Tubes: 1 x 12AX7; 2 x 6N1P-EV

I will certainly order one when they become available and let you know how it sounds.

Posted in 12AX7, 6N1P, Hybrid amplifier, Integrated amplifier, Vincent Audio | Tagged , , , , | Leave a comment